AGAINST THE SUNSET / MARELLE ET MIMOSA / OOTIL

PROPOSITION DE SAMI MAISON ET STÉPHANE COTTIN
Ce jeudi on vous invite à découvrir trois projets de performance sonore méditative et brute qui se dérouleront dans le cadre de résidence de Loreto Martínez Troncoso ( ).
Programme:
20H30 AGAINST THE SUNSET (frappe sur poutre en bois, Belgique/Islande)
21H15 MARELLE & MIMOSA (performance sonore/geste musical, France)
22H00 OOTIL (géographie irrationnelle dessinée sur un tas de gravier électronique)

Again the Sunset
Inga Huld Hakonardottir & Yann Leguay
"Again the sunset" mine la matière à l’état brut. A coup de frappe sur une poutre de bois, le geste provoque le rythme minimal et lancinant qui porte un texte sorti des limbes, quelque part entre chien et loup.
fuckthemooon.com
Inga Huld Hákonardóttir was born in Höfn, Iceland, and now lives and works in Brussels. After graduating from P.A.R.T.S in 2014 she has worked within the field of performance as a performer, dancer and choreographer. As collaborator and performer Inga worked with Eleanor Bauer and composer Chris Peck in the contemporary musical, MEYOUCYCLE. She danced for Salva Sanchis in Islands and Radical Light and performed/collaborated with the contemporary music ensembles ICTUS and GAME in Ballet Mekanique. She currently performs in Traces, by Rósa Ómarsdóttir. Inga created several works in different collaborative constellations and has worked extensively with Rósa Ómarsdóttir. Their works include; The Valley, Wilhelm Scream, and Da Da Dans; a commission for The Icelandic Dance Company. With Katie Vickers she created Slogan For Modern Times and the trio We Will Have Had Darker Futures together with choreographer Rebecca Stillman.

Brussels based artist Yann Leguay focuses on the notions of dematerialization, the use of interfaces and everything about the materiality of memory. In his sound practice he has been defined as a “media saboteur” by the Consumer Waste label, seeking to fold the sound materiality in on itself using basic means in the form of objects, videos and performances. He has presented his work in many places and festivals all around Europe and further. Since 2007, he’s also producing installations, sculptures and editions that integrates a critical approach to the meaning of the technological evolution. In concerts he pushes the boundaries of accepted norms of audio behavior, using uncommon machineries for the playback of audio media: opened hard-drives as turntables, an angle grinder as a microphone, the sound of the electricity and so on... His records release activity is equally unusual, releasing readable silkscreen records, a 7” single without a central hole, or a record composed from recordings of vinyl being scratched by scalpel. His Phonotopy label proposes a conceptual approach to recording media and he curates the DRIFT series on the Artkillart label. He is also involved in different collective projects as sound and music curator, and participates to graphical designs for books and revues.
https://vimeo.com/320686688
https://www.youtube.com/watch?v=qIoWaRKeQ0M
Marelle & Mimosa
Performance sonore - Geste musical
Marelle et Mimosa questionnent le geste musical à travers le corps en mouvement. Elles composent ensemble un rituel chorégraphique, fait d’explorations sonores et de matières organiques.

OOTIL
Yann Leguay
Géographie irrationnelle dessinée sur un tas de gravier électronique. Entre minimal expé et abstract dub , c’est sous le nom de Ootil que Yann Leguay dévie de ses projets plus matérialistes pour explorer le territoire du synthé modulaire. Moitié de Cancellled (en duo avec Aymeric de Tapol), fondateur de Phonotopy, il est présent sur divers label tel que TTT, Vlek, ArtKillArt, Consumer Waste…
www.phonotopy.org/ootil